Ableton Push 2 Rhythm Theory

Learning Impacts:

Ableton

Ableton Push 2 Rhythm Theory

Relationship between beats and time
Uncover the concepts of polyrhythms, humanizing and better beat making.
Rated 5 out of 5
5 out of 5 stars (based on 1 review)
Current Status
Not Enrolled
Price
Free
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What You'll Learn

Ableton Rhythm in Electronic Music

This course is ideal for any electronic musician who wants to understand (visually and intellectually) how to create both familiar/standard beats AND innovative/original beats.  From the basics on up, this course will expand your understanding of rhythms and inspire you to reinvent your beats (and maybe make a breakthrough on that old track :).

Where You’ll Start…

We’ll kick things off with a primer on essential beat/time concepts like duple, triple and beats.  Then, we’ll explore polyrhythms, humanizing and use what we learn to construct House, Garage and 2 Step beats.

Design Better Beats

I’ve been an electronic musician and performer since the days of Ableton 4 and this course encapsulates rhythm fundamentals that every beginner electronic musician needs to know.  I’ve learned how to capture beats more easily on Push 2 and how to keep beats feeling human, without them sounding too imperfect…

When You’re Finished…

By the time you’ve finished this course, you’ll have created 3 great beats – House, UK Garage and 2 Step.  You’ll understand how to program beats from scratch AND how to use delays, humanizing, polyrhythms and randomizing capabilities in Ableton to enhance your beats.



What's Included?

Will Edwards

  • 29mins of video
  • Optimized for mobile
  • Instructor support available


Students with membership can access integrated lesson plans with daily practice routines. Take the interview and join today.



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What students say...

Polyrhythms are amazing!

Rated 5 out of 5
February 12, 2022

I had no idea what I was looking for until your videos on polyrhythm. Its simple to understand, but I didn’t go to music school and I wouldn’t know how to do it. Worth it just for that.

Gene Cook

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